Through my work I am exploring how our visual experiences and perceptions of natural phenomena can be expressed through sculpture.These ideas relate to a conjunction between the physical process and practice of making sculpture, where I employ concepts and notions about systems of transformation: often using metaphors and symbols that represent forces of magnetism or action (cause and effect), such as craters, volcanoes, and meteors. 

By casting my work in metals it undergoes a physical transformation, similar to that in the natural world but speeded up through intervention and invention.  It is in this that I aim to express a coalesence of the tangible and the temporal in a physical object or situation. My most recent installation "Omnipresence" houses a large meteoric boulder form in a shotgun style house turned Gallery in New Orleans. A temple like space is created by a site specific wall and small archway that the viewer has to bend down to enter the room. The floor has a large burn hole indicating some form of event or action in this very contemplative and still space. I am interested in slowing the pace of interaction down to a level where the viewer has to consider the temporal in the tangible, to create an opportunity to experience the spirit of an object.
Occasionally I cast recognizable objects as seen in the ‘Dowsing’ sculptures. The piece ‘Dowsing Kleopatra’ makes reference to Cleopatra the Alchemist and Kleopatra the Asteroid.